The Jesuit New World Order

Sunday, 25 March 2012

Church of the Gesu headquarters of the one world government ruled by the superior jesuit general

Church of the Gesù
Chiesa del Santissimo Nome di Gesù all'Argentina

Giacomo della Porta's façade of the Church of the Gesù, a precursor of the Baroque
Basic information
Location Rome, Italy
Geographic coordinates 41°53′45″N 12°28′47″ECoordinates: 41°53′45″N 12°28′47″E
Affiliation Roman Catholic
Year consecrated 1584
Ecclesiastical or organizational status Church
Leadership Daniele Libanori, S.J.
Website Official Website Jesuit International Collage
Architectural description
Architect(s) Giacomo Barozzi da Vignola
Giacomo della Porta
Architectural style Baroque
Direction of façade W
Groundbreaking 1568
Completed 1580
Length 75 metres (246 ft)
Width 35 metres (115 ft)
Width (nave) 25 metres (82 ft)The true seat of WORLD POWER over the revived Roman Empire

The Curia Generalizia

World headquarters of the Society of Jesus

Based in missile defense protected, Borgo Santo Spirito

(The Most Powerful Land On Earth)

Borgo S. Spirito 4
C.P. 6139
00195 Roma-Prati

Borgo Santo Spirito is a Fortress with-in the Vatican City, with its own passport and nation, like the Vatican City and SMOM.

Main Jesuit Bases(in Italy):
Borgo Santo Spirito – Vatican City
Scottish Rite Headquarters or (Piazza di Gesu) – where the tomb of Loyola is -
Villa Farnese – Caprarola
Castle Buonconsiglio – Where the council of Trent was signed – Trento

Main SMOM bases( in Italy):
Lake Trasimeno – Perugia
Aventino Hill Headquarters – Rome facing the UN’s FAO
VIA CONDOTTI – Rome – The Luxury shopping district where the Grand Master’s residence is.

The Church of the Gesù (Italian: Chiesa del Gesù; Italian pronunciation: [ˈkjɛːza del dʒeˈzu]) is the mother church of the Society of Jesus, a Roman Catholic religious order also known as the Jesuits. Officially named Chiesa del Santissimo Nome di Gesù all'Argentina[1][2] (English: Church of the Most Holy Name of Jesus), its facade is "the first truly baroque façade", introducing the baroque style into architecture.[3] The church served as model for innumerable Jesuit churches all over the world, especially in the Americas. The Church of the Gesù is located in the Piazza del Gesù in Rome.

First conceived in 1551 by Saint Ignatius of Loyola, the founder of the Jesuits Society of Jesus, and active during the Protestant Reformation and the subsequent Catholic Reformation, the Gesù was also the home of the Superior General of the Society of Jesus until the suppression of the order in 1773.[4]Contents [hide]
1 History
2 Façade
3 Interior decoration
4 See also
5 Legacy
6 Notes
7 References
8 External links

Triumph of the Name of Jesus, by Giovanni Battista Gaulli, on the ceiling of the church.

Although Michelangelo, at the request of the Spanish cardinal Bartolomeo de la Cueva, offered, out of devotion, to design the church for free, the endeavor was funded by Cardinal Alessandro Farnese, grandson of Pope Paul III, the pope who had authorized the founding of the Society of Jesus. Ultimately, the main architects involved in the construction were Giacomo Barozzi da Vignola, architect of the Farnese family, and Giacomo della Porta. The church was built on the same spot as the previous church Santa Maria della Strada, where Saint Ignatius of Loyola had once prayed before an image of the Holy Virgin. This image, now adorned with gems, can be seen in the church in the chapel of Ignatius on the right side of the altar.

Construction of the church began on 26 June 1568 to Vignola's design. Vignola was assisted by the Jesuit Giovanni Tristano, who took over from Vignola in 1571. When he died in 1575 he was succeeded by the Jesuit architect Giovanni de Rosis.. Giacoma della Porta was involved in the construction of the cross-vault, dome, and the apse.

The revision of Vignola's façade design by della Porta has offered architectural historians opportunities for a close comparison between Vignola's balanced composition in three superimposed planes and Della Porta's dynamically fused tension bound by its strong vertical elements, contrasts that have sharpened architectural historians' perceptions for the last century (Whitman 1970:108). Vignola's rejected design remained readily available to architects and prospective patrons in an engraving of 1573.

The design of this church has set a pattern for Jesuit churches that lasted into the twentieth century; its innovations require enumerating. Aesthetics across the Catholic Church as a whole were strongly influenced by the Council of Trent. Although the Council itself said little about church architecture, its suggestion of simplification prompted Charles Borromeo to reform ecclesiastical building practise. Evidence of attention to his writings can be found at the Gesù. There is no narthex in which to linger: the visitor is projected immediately into the body of the church, a single nave without aisles, so that the congregation is assembled and attention is focused on the high altar. In place of aisles there are a series of identical interconnecting chapels behind arched openings,[5] to which entrance is controlled by decorative balustrades with gates. Transepts are reduced to stubs that emphasize the altars of their end walls.

The plan synthesizes the central planning of the High Renaissance, expressed by the grand scale of the dome and the prominent piers of the crossing, with the extended nave that had been characteristic of the preaching churches, a type of church established by Franciscans and Dominicans since the thirteenth century. Everywhere inlaid polychrome marble revetments are relieved by gilding, frescoed barrel vaults enrich the ceiling and rhetorical white stucco and marble sculptures break out of their tectonic framing. The example of the Gesù did not completely eliminate the traditional basilica church with aisles, but after its example was set, experiments in Baroque church floor plans, oval or Greek cross, were largely confined to smaller churches and chapels.

The Church of the Gesù is home to the venerated 15th-century Madonna Della Strada shown here after its 2006 restoration.

The church was consecrated by Cardinal Giulio Antonio Santori, the delegate of pope Gregory XIII on 25 November 1584.

The façade of the church is divided into two sections. The lower section is divided by six pairs of pilasters with Corinthian capitals, while the upper section is divided with four pairs of pilasters. The upper section is joined to the lower section by a volute on each side. The main door stands under a curvilinear tympanum, while the two side doors are under a triangular tympanum. Above the main door one can see a shield with the christogram IHS, representing the name of Jesus Ihesus. The façade also shows the papal coat of arms and a shield with the initialism SPQR, tying this church closely to the people of Rome.

Interior decoration


The present high altar, designed by Antonio Sarti (1797–1880), was constructed towards the middle of the 19th century. It is dominated by four columns under a neo-classical pediment. Sarti also covered the apse with marble and made the drawings of the tabernacle. The angels surrounding the IHS aureole were sculpted by Rinaldo Rinaldi (1793–1873). The two angels kneeling at each side of the aureole are the work of Francesco Benaglia and Filippo Gnaccarini (1804–1875). The altarpiece, representing the "Circumcision", was painted by Alessandro Capalti (1810–1868). The ceiling of the apse is adorned by the painting "Glory of the Mystical Lamb" by Baciccia (Giovanni Battista Gaulli).

The most striking feature of the interior decoration is the ceiling fresco is the grandiose Triumph of the Name of Jesus by Giovanni Battista Gaulli. Gaulli also frescoed the cupola, including lantern and pendentives, central vault, window recesses, and transepts' ceilings.

The first chapel to the right of the nave is the Cappella di Sant'Andrea, so named because the church previously on the site, which had to be demolished to make way for the Jesuit church, was dedicated to St. Andrew. All the painted works were completed by the Florentine Agostino Ciampelli. The frescoes on the arches depict the male martyrs saints Pancrazio, Celso, Vito, and Agapito, while the pilasters depict the female martyred saints Cristina, Margherita, Anastasia, Cecilia, Lucy, and Agatha. The ceiling is frescoed with the Glory of the Virgin surrounded by martyred saints Clemente, Ignazio di Antiochia, Cipriano, and Policarpo The lunettes are frescoed with Saints Agnes & Lucy face the storm and St. Stephen and the Deacon St. Lawrence. The altarpiece depicts the Martyrdom of St Andrew.

The second chapel to the right is the Cappella della Passione, with lunette frescoes depicting scenes of the Passion: Jesus in Gethsemane, Kiss of Judas, and six canvases on the pilasters: Christ at the column Christ before the guards, Christ before Herod, Ecce Homo, Exit to Calvary, and Crucifixion. The altarpiece of the Madonna with child and beatified Jesuits, replaces the original altarpiece by Scipione Pulzone.[7] The program of paintings is indebted to Giuseppe Valeriani and painted by Gaspare Celio. The altar has a bronze urn with the remains of 18th century Jesuit St. Giuseppe Pignatelli, canonized by Pius XII in 1954. Medals on the wall commemorate P. Jan Roothaan (1785–1853) and P. Pedro Arrupe (1907–1991), the 21st and 28th Superior General of the Society of Jesus.

The third chapel to the right is the Cappella degli Angeli has a ceiling fresco of the Coronation of Virgin and altarpiece of Angels worshiping Trinity by Federico Zuccari. He also painted the canvases on the walls, Defeat of rebel angels on right, and Angels liberate souls from Purgatory on the left. Other frescoes represent Heaven, Hell, and Purgatory. The angles in the niches of the pilasters were completed by both Silla Longhi and Flaminio Vacca.

The larger Saint Francis Xavier Chapel in the right transept, was designed by Pietro da Cortona, originally commissioned by cardinal Giovanni Francesco Negroni. The polychromatic marbles enclose a stucco relief representing Francis Xavier welcomed to heaven by angels. The altarpiece shows the Death of Francis Xavier in Shangchuan Island by Carlo Maratta. The arches are decorated with scenes from the life of the saint, including Apotheosis of the saint in the center, Crucifixion, Saint lost at sea, and at left, Baptism of an Indian princess, by Giovanni Andrea Carlone. The silver reliquary conserves part of the saint's right arm (by which he baptized 300,000 people), his other remains are interred in the Jesuit church in Goa.

The last chapel on the far end of the nave, to the right of the high altar, is the chapel of the Sacro Cuore (holy heart of Jesus).

The sacristy is on the right. In the presbytery is a bust of Cardinal Robert Bellarmine by Bernini.

The abbreviated transepts function as grand chapels: Chapel of St, Ignatius

The first chapel to the left, originally dedicated to the apostles, is now the Cappella di San Francesco Borgia, the former Spanish Duke of Gandia, who renounced his title to enter the Jesuit order, and become its third "Preposito generale". The altarpiece, Saint Francesco Borgia in Prayer by Pozzo, is surrounded by works by Gagliardi. Ceiling frescoes of (Pentecost) and lunettes (left Martyrdom of St. Peter, to sides Faith and Hope and right, Martyrdom of St. Paul) with allegorical Religion and Charity are works Nicolò Circignani (Il Pomarancio). Pier Francesco Mola painted the walls, on left with St. Peter in jail baptizes saints Processo & Martiniano, to right is the Conversion of St. Paul. There are four monuments by Marchesi Ferrari.

The second chapel on the left is dedicated to the Nativity, and called Cappella della Sacra Famiglia, commissioned by patron Cardinal Cerri, who worked for the Barberini family. The altarpiece of the nativity by Circignani. In the roof, the Celestial celebration on the nativity of Christ, on the pinnacles are David, Isaiah, Zechariah and Baruch, on the right lunette, an Annunciation to the Shepherds, and on the left, a Massacre of the Innocents. Also are frescoes on Presentation of Jesus to the Temple and Adoration by Magi. Four allegorical statues represent Temperance, Prudence on right; and Fortitude and Justice.

The third chapel to the left is the Cappella della Santissima Trinità, commissioned initially by the clerical patron Pirro Taro, is named due to the main altarpiece by Francesco Bassano the Younger. The frescoes completed mainly by three painters and assistants during 1588-1589; the exact attributions are uncertain, but it is said the Creation, the angels on the pilasters, and the designs of some of the frescoes by the Florentine Jesuit painter, Giovanni Battista Fiammeri. Painted with assistants was the Baptism of Christ on the right wall. The Transfiguration on the left wall and the Abraham with three angels on the right oval were by Durante Alberti. God the Father behind a chorus of angels in the left oval and in the pinnacles, angels with God’s attributes, were completed by Ventura Salimbeni. The reliquary on the altar holds the right arm of the polish Jesuit St. Andrew Bobola, martyred in 1657 and canonized by Pius XI in 1938.

The imposing and luxurious St. Ignatius Chapel, located on the left side of the transept, is the church's masterpiece, designed by Andrea Pozzo between 1696 and 1700. It houses the saint's tomb. The altar by Pozzo shows the Trinity on top of a globe. The lapis lazuli, representing the Earth, is thought to be the largest piece in the world, but is actually mortar craftily decorated with lapis lazuli. The four lapis lazuli-veneered columns enclose the colossal statue of the saint by Pierre Legros. The latter is a copy, probably by Adamo Tadolini working in the studio of Antonio Canova Pope Pius VI had the original silver statue melted down, ostensibly to pay the war reparations to Napoleon, as established by the Treaty of Tolentino, 1797. Originally the project was designed by Giacomo della Porta, then by Cortona ; but ultimately Pozzo won a public contest to design the altar. A canvas of the Saint receives the monogram with the name of Jesus from the celestial resurrected Christ attributed to Pozzo. The urn of St. Ignatius is a bronze urn by Algardi that holds the body of the saint, below are two groups of statues where Religion defeats heresy by Legros (with a putto - on the left side - tearing pages from heretic books by Luther, Calvin and Zwingli), and Faith defeats idolatry by Jean-Baptiste Théodon.

The St. Ignatius Chapel also hosts the restored macchina barocca or conversion machine of Andrea Pozzo. During daytime the statue of St. Ignatius is hidden behind a large painting, but every day at 17.30 loud religious music is played and the painting slides away in the floor, revealing the statue, with large spotlights switched on to show the piece.[8]

The last chapel on the far end of the nave, to the left of the high altar, is the Chapel of the Madonna della Strada. The name derives from a medieval icon, once found in a now-lost Church in the piazza Altieri, venerated by sant'Ignazio. The interior is designed and decorated by Giuseppe Valeriani, who painted scenes from the life of the Virgin. The cupola frescoes were painted by G.P. Pozzi.

The pipe organ was built by the Italian firm, Tamburini. It is a large three manual instrument with 5 divisions (pedal, choir, great, swell and antiphonal). The swell and choir are enclosed. The pipes are split into three separate locations within the church. Two ornamented facades flank the transept walls (Swell and Great on the left and Choir and Pedal on the right) and a small antiphonal division is located above the liturgical west entrance
List of Jesuit buildings

Birth place and sanctuary of Saint Ignatius of Loyola, in Azpeitia, Basque Country.

Ruins of Saint Paul's Church, Macau, one of many churches built by the Jesuits in Asia during the 16th and 17th centuries

Church of the Gesu, mother church of the Society of Jesus in Rome

Many buildings and ruins give witness to the construction activity of the Society of Jesus worldwide. Among these are:
Sanctuary of Loyola in Azpeitia, Spain. Main jesuit shrine in the birth place of Saint Ignatius of Loyola.
Sant'Ignazio di Loyola in Rome, Italy
Saint Ignatius College Prep in Chicago, IL
Basilica of Bom Jesus The Shrine of Saint Francis Xavier
Saint-Paul-Saint-Louis Church in Paris
The Jesuit Church of Molsheim
Ruins of Saint Paul's Church in Macau
Ruins of San Ignacio Church in the Philippines
Basilica of Bom Jesus near Panaji, Goa, in India
St. Aloysius College Chapel, Mangalore, India
Church of the Gesù in Rome, Italy
Iglesia de San Ildefonso/Iglesia de los Jesuitas (The Jesuit church) in Toledo, Spain
São Roque Church in Lisbon, Portugal
Ateneo de Manila University Church of the Gesu in the Philippines
La Santisima Trinidad de Parana in Paraguay
Jesuit Missions of the Chiquitos in Bolivia
Colegio San Ignacio de Loyola in San Juan de Puerto Rico
Belen School in Havana, Cuba
Belen Church in Havana, Cuba
Marquette University High School in Milwaukee, WI, United States of America
St. Ignatius Cathedral in Xujiahui, Shanghai, China
Stonyhurst College in Lancashire, United Kingdom
St Beuno's College a Jesuit Spirituality and Retreat Centre in Wales, UK
St Aloysius' College in Sydney, Australia
Saint Ignatius' College, in Riverview, Australia
St. Ignatius College Preparatory School in Chicago, Illinois, United States of America
Jesuit College Preparatory School in Dallas, Texas, United States of America
Strake Jesuit College Preparatory in Houston, Texas, United States of America
St Ignatius Church in San Francisco, California, United States of America
St. Ignatius Chapel in Kowloon, Hong Kong S.A.R. (inside the campus of Wah Yan College, Kowloon)
Loyola Jesuit College in Abuja, Nigeria
Church of the Society of Jesus in Cuzco – Peru
St. Peter of Lima – Peru
Cathedral of Salvador in Brazil
New Cathedral of Coimbra, in Portugal
St. Ignatius College in Galway, Ireland (Gaeilge Coláiste Iognáid)
St Ignatius Primary School, church and college in North London
Regis High School, a tuition-free private college preparatory in New York City
Loyola College, one of India's top colleges, located at Chennai, India
St. Xavier High School, Cincinnati a private, all-male, college-preparatory high school in Cincinnati, Ohio
St. Francis Xavier High School, New York a private, all-male, college preparatory high school in New York, New York
Xavier College a private school in Melbourne, Australia for boys from kindergarten to year 12. Well known for its chapel
Universidad Católica Andrés Bello campus buildings, in Caracas, Venezuela
Pontificia Universidad Javeriana campus buildings, in Bogotá, Colombia
Colegio del Salvador a private, all male college and school with Church in Buenos Aires, Argentina
St. Ignatius High School in Cleveland, Ohio, an all-male college preparatory school
University of Detroit Jesuit High School and Academy in Detroit, Michigan, an all-male college preparatory school
Walsh Jesuit High School in Cuyahoga Falls, Ohio, a co-ed college preparatory school
Church of Carolus Borromeus (Carolus Borromeuskerk, Dutch wiki) in Antwerp, with several magnificent works of Rubens. First dedicated to Ignatius de Loyola, then in 1773 renamed to the church of Charles Borromeo. More Jesuit churches on the Dutch wiki.
Church of the Jesuits (Jesuitenkirche) 1712–1872 in Heidelberg, Germany
Church of the Jesuits (Jesuitenkirche) in Koblenz, Germany
Church of the Jesuits (Jesuitenkirche) in Mannheim, Germany
Church of the Jesuits (Jesuitenkirche/St. Michael) in Munich, Germany
Church of the Jesuits (Jesuitenkirche) in Hall in Tirol, Austria
Church of the Jesuits (Jesuitenkirche) in Innsbruck, Austria
Church of the Jesuits (Jesuitenkirche) in Vienna, Austria
Church of the Jesuits (Jesuitenkirche) in Lucerne, Switzerland
Church of the Jesuits (Jesuitenkirche) in Soluthurn, Switzerland
St. Raphael the Archangel Catholic Church, in North Carolina, United States
Church of the Sacred Hearth, in Valladolid, Spain
Saint Joseph School, Primary and Secondary School in Valladolid, Spain
Christ the King, High School in Valladolid, Spain
Church of SS Peter and Paul in Mankato, Minnesota, USA
Loyola Catholic School in Mankato, Minnesota, USA
 Father General of the Jesuits

Ignatius as Superior General.

Ignatius Loyola

Ignatius was chosen as the first Superior General of his religious order, invested with the title of Father General by the Jesuits. He sent his companions as missionaries around Europe to create schools, colleges, and seminaries. Juan de Vega, the ambassador of Charles V at Rome had met Ignatius there. Esteeming him and the Jesuits, when Vega was appointed Viceroy of Sicily he brought Jesuits with him. A Jesuit college was opened at Messina; success was marked, and its rules and methods were afterwards copied in other colleges.[19] In 1548 Spiritual Exercises was finally printed, and he was briefly brought before the Roman Inquisition, but was released. Ignatius wrote the Jesuit Constitutions, adopted in 1540, which created a monarchical organization and stressed absolute self-abnegation and obedience to Pope and superiors (perinde ac cadaver, "well-disciplined like a corpse" as Ignatius put it). His main principle became the Jesuit motto: Ad maiorem Dei gloriam ("for the greater glory of God"). The Jesuits were a major factor in the Counter-Reformation. During 1553-1555, Ignatius dictated his life's story to his secretary, Father Gonçalves da Câmara. This autobiography is a valuable key for the understanding of his Spiritual Exercises. It was kept in the archives for about 150 years, until the Bollandists published the text in Acta Sanctorum. A critical edition exists in Vol. I (1943) of the Fontes Narrativi of the series Monumenta Historica Societatis Iesu. He died in Rome on July 31, 1556 as a result of the Roman Fever, a severe case of malaria that recurred in Rome, Italy at different points in history.

Famous Quote of Loyola:“ That we may be altogether of the same mind and in conformity with the Church herself, if she shall have defined anything to be black which appears to our eyes to be white, we ought in like manner to pronounce it to be black. For we must undoubtingly believe, that the Spirit of our Lord Jesus Christ, and the Spirit of the Orthodox Church His Spouse, by which Spirit we are governed and directed to Salvation, is the same; ...[20] ”

Canonization and legacy

Ignatius was beatified by Pope Paul V on July 27, 1609 and canonized by Pope Gregory XV on March 13, 1622. His feast day is celebrated annually on July 31, the day he died. Saint Ignatius is venerated as the patron saint of Catholic soldiers, the Military Ordinariate of the Philippines, the Basque country and various towns and cities in his native region.

Of the institutions dedicated to Saint Ignatius, one of the most famous is the Basilica of St Ignatius Loyola, built next to the house where he was born in Azpeitia, the Basque Country. The house itself, now a museum, is incorporated into the basilica complex.

His legacy includes many Jesuit schools and educational institutions worldwide. In the United States alone there are 28 Jesuit colleges and universities and more than 50 secondary schools.

Original shield of Oñaz-Loyola
Shield of Oñaz-Loyola

The Shield of Oñaz-Loyola is a symbol of St. Ignatius family's Oñaz lineage, and is used by many Jesuit institutions around the world.

Villoslada established the following detailed genealogy of St. Ignatius:[1]
Lope de Oñaz (~1180)
├ García López de Oñaz (~1221)
├ López García de Oñaz
wife: Inés, dame of Loyola – unit of families (~1261)
├ daughter: Inés de Oñaz y Loyola (~end of XIII c.)
husband: Juan Pérez (related)
├ Jaun (Basque - Lord) Juan Pérez
├ Gil López de Oñaz
├ other 5 brothers (see – battle of Beotibar)
Beltrán Yáñez (el Ibáñez) de Loyola, son of Jaun Juan (+1405)
wife: Ochanda Martínez de Leete from Azpeitia
├ Sancha Ibáñez de Loyola
| husband: Lope García de Lazcano
| married: 4 III 1413
├ heir: Juan Pérez de Loyola (d. childless, heirdom for Sancha)
├ Maria Beltranche
├ Elvira
├ Emilia
├ Juanecha
Juan Pérez de Loyola, son of Sancha Ibáñez (+ in Tolosa)
wife: Sancha Pérez de Iraeta (+1473)
├ Don Beltrán Yáñez (vel Ibáñez) de Oñaz y Loyola (+ 23 X 1507)
wife: Doña Marina Sáenz (vel Sánchez) de Licona (+ < 6 V 1508)
married: 13 VII 1467 r.
13 children:
1. Juan Pérez de Loyola (+1503 in Naples)
2. heir – Don Martín García de Oñaz y Loyola (1477 – 29 XI 1538)
wife: Magdalena de Araoz
married: 11 IX 1498
* – order uncertain
*. Ochoa Pérez de Loyola
*. Juan Beltrán de Loyola
*. Beltrán de Loyola (+ < 14 XI 1527)
*. Hernando de Loyola (+ in Panama, New World)
*. Pero López de Oñaz y Loyola (priest, + < VII 1529 in Barcelona)
*. Juaniza (vel Joaneiza) de Loyola, wife of Juan Marínez de Alzaga, notary from Azpeitia
*. Magdalena de Loyola, wife of Juan López de Gallaiztegui, notary from Anzuola
*. Sancha Ibáñez de Loyola
*. Petronila de Loyola, wife of Pedro Ochoa de Arriola
*. Maria Beltrán de Loyola, wife of Domingo de Arruado
13. Iñigo López de Loyola (< 23 X 1491 – 31 VII 1556)

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